Dylan F. Thomas is in-demand as a Stage Director, Acting Coach, and Performer. Last year, he was invited to be Guest Lecturer and Stage Director at Yale University, where he staged the Opera Scenes and taught his unique acting method, The Dressler Technique, in “Acting for Opera”. This Spring, Dylan looks forward to directing  a double bill of operas at his alma mater, Cal State University, Northridge. Dylan acts as Opera Program Manager for the GRAMMY-winning National Children’s Chorus’s youth opera program, National Youth Opera Academy, where he teaches acting and prop-making, and co-directs the fully staged operas during the summer opera camp. Dylan is Co-Founder and Principal Stage Director of Valley Opera & Performing Arts (VOPA), where he has directed many operas, musicals, and other events over the past 19 years.

As a singer/actor himself, Dylan has performed all over the world in many different musical genres, including musical theater, opera, jazz, pop, and classic rock. He spent 11 months performing in several different productions for Universal Studios in Osaka, Japan, singing for tens of thousands of people every day. At Utah Festival Opera and Musical Theatre, he had the honor of performing for legendary musical theater lyricist and songwriter Sheldon Harnick in two of Harnick’s musicals: the rarely seen Rex, as well as Fiddler on the Roof. 

As a passionate educator, Dylan maintains a private acting studio, offering individual, small group, and large group classes for performers in all genres of theater, including musical theater, opera, straight theater, and tv/film. Acting student Eden Kontesz says that Dylan’s technique is “unique, different, and highly effective,” and Grammy-nominated composer Sharon Farber comments that he “offers a new perspective that is truly profound”. Superstar Quinn Kelsey, a favorite leading baritone at the Metropolitan Opera, shares that Dylan, "utilized his own intuitive twists on the storyline of certain pieces to give me as a singer a different perspective of my interpretation.”